Robert Peate
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      Morlich Meditation

      April 28, 2021

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      …Luciferum…

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      Morlich Meditation

      April 28, 2021

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      March 19, 2018

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      Pearl III

      January 27, 2018

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Robert Peate

COMPOSER

  • About
  • Works
    • All Chamber Ensemble Choral Large Ensemble Solo
      Solo

      Morlich Meditation

      April 28, 2021

      Solo

      Sylva Suite

      August 1, 2019

      Choral

      Book of Rounds

      May 26, 2019

      Choral

      …Luciferum…

      April 24, 2019

      Chamber Ensemble

      Stone Study no.2 – Cave and Cliff

      March 20, 2018

      Chamber Ensemble

      Shadow Play

      January 26, 2018

      Chamber Ensemble

      Five Winter Tableaux

      January 26, 2018

      Chamber Ensemble

      Three Idylls

      January 26, 2018

      Choral

      Book of Rounds

      May 26, 2019

      Choral

      …Luciferum…

      April 24, 2019

      Choral

      Garden Days

      January 27, 2018

      Choral

      Snail Litany

      January 27, 2018

      Large Ensemble

      Viderunt Omnes

      January 26, 2018

      Large Ensemble

      Lullay

      January 26, 2018

      Large Ensemble

      Sinfonia Concertante

      January 26, 2018

      Large Ensemble

      Juno in August

      January 26, 2018

      Solo

      Morlich Meditation

      April 28, 2021

      Solo

      Sylva Suite

      August 1, 2019

      Solo

      Under the Rowan Tree

      March 19, 2018

      Solo

      Pearl III

      January 27, 2018

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Sweet Silence After Bells

C J Brennan – Unaccompanied SATB (with divisi)

http://robertpeate.co.uk/wp-content/uploads/2018/01/Sweet-Silence-After-Bells-premiere-Sidney-Sussex-College-D-Skinner-excerpt-online-audio-converter.com_.mp3

This rennasisance-tinged setting of poem by Christopher John Brennan for unaccompanied choir was commissioned by Sidney Susex College, Cambridge, with funds generously provided by alumnus John Osborne. Written after completing a large scale setting of ‘The Bells’ by Edgar Allan Poe, this generally more meditative setting uses similar bell-like harmonic material, and served as a kind of resolving coda to my work on ‘The Bells’. Another two models for the music came from the combination of a certain suspension I heard in an anonymous Tudor motet, coupled with the image and character of the small church at Cymyoy in Monmouthshire, which has a distinctive lean to it as it has been gradually sliding down the hill side for generations. The Renaissance flavour to the music is also due to the choir’s repertoire, and though the text was chosen to suit both sacred and secular performance, a church acoustic very much fed into my approach.”

Sweet Silence After Bells was first performed by the Sidney Sussex College Cambridge choir on Sunday 22nd May 2016, conducted by Dr David Skinner.

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